My practice revolves around the interplay of transparency and texture, creating striking visual experiences through a unique combination of glass, watercolor, acrylic (pigment-based) ink, drawing (dye-based) ink, and layered glass construction. I work primarily through reverse-glass painting using the historic technique of Verre églomisé, drawing and painting on the back of thicker, custom-cut glass panes that are viewed from the front. By layering multiple panes of glass and various inks, I engage in a delicate interplay of color, light, and form, resulting in luminous surfaces with depth and a glossy finish that preserves the vibrancy of the materials. Fully custom framing supports both the physical structure and conceptual intent of the work. Many pieces are designed to be interactive, encouraging viewers to move around the work, look behind it, or experience it from shifting perspectives, emphasizing art as an experience shaped by light, space, and engagement.